Take One
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Coverage

Two people talking

Two characters, one place, a conversation that carries the scene.

Start your film to use it

Shoot the whole scene wide first, then move in. The two over-the-shoulder shots are the heart of it: cut between them and the audience feels the exchange. Stay on one side of the line between the actors so they keep facing each other across the cut.

Watch out. Keep the eyelines consistent: if A looks frame-left in her single, B looks frame-right in his.

The 180-degree line. All cameras stay on one side.
EST Single · Eye level · Static

Establishing shot of the location.

MWS Two-shot · Eye level · Static

Master two-shot. Whole scene.

MCU Over the shoulder · Eye level · Static

Over A’s shoulder onto B.

MCU Over the shoulder · Eye level · Static

Over B’s shoulder onto A.

CU Single · Eye level · Static

Clean single on A. Reactions.

CU Single · Eye level · Static

Clean single on B. Reactions.

ECU Insert · High angle · Static

Inserts: hands and objects the dialogue refers to.